The Ghanaian entertainment sphere has been rocked by a fiery public feud between socialite Ayisha Modi and dancehall artist Stonebwoy, a relationship that has devolved from close confidanteship to bitter animosity. Ayisha Modi, a controversial figure known for her outspoken nature, has launched a scathing attack on the reigning TGMA Artiste of the Year, vowing to inflict the same damage on his career that she claims to have inflicted on his long-time rival, Shatta Wale. This latest outburst marks a significant escalation in their strained relationship, which reportedly fractured in 2022 over allegations of ingratitude on Stonebwoy’s part.
In a widely circulated video, a visibly enraged Ayisha Modi unleashed a torrent of accusations and threats against Stonebwoy, expressing her intent to destroy his music brand and legacy. Invoking regional identities, she declared, “He claims he is a Voltarian, but I will show him I am a Northerner,” suggesting a deeply personal dimension to the conflict. She further emphasized her determination to bring down the “Bhim Nation” brand, the moniker associated with Stonebwoy and his fan base, stating that it would “go down the drain” as a direct consequence of his actions. Her pronouncements were laced with claims of past support and good intentions betrayed, painting a picture of a relationship soured by perceived disloyalty and disrespect.
Ayisha Modi’s pronouncements went beyond mere expressions of anger, extending to dramatic pronouncements of severing all ties with Stonebwoy and his circle. She solemnly swore never to communicate with the artist or his family again, invoking a curse upon herself should she break this oath, even extending the prohibition to a hypothetical afterlife. The vehemence of these pronouncements underscores the depth of her resentment and the apparent irreparability of the fractured relationship. She further invoked the name of Shatta Wale, referencing a past feud and implying a pattern of destructive behavior directed towards artists with whom she has had disagreements.
The crux of Ayisha Modi’s grievances appears to stem from what she perceives as Stonebwoy’s ungratefulness for her past support. While the specific details of this support remain somewhat vague in her public pronouncements, it is clear that she believes her contributions to his career have been undervalued and repaid with ill-treatment. This sense of betrayal seems to fuel her desire for retribution, manifesting in her threats to dismantle his brand and tarnish his reputation. The latest trigger for her public tirade is allegedly an incident involving insults directed at her by one of Stonebwoy’s bodyguards. This incident seems to have reignited existing tensions and pushed Ayisha Modi to a point of public confrontation.
Adding another layer of complexity to the situation is Ayisha Modi’s claim that Stonebwoy brandished a toy gun during the Vodafone Ghana Music Awards. This accusation, presented without further context or evidence, raises questions about the nature of the incident and the potential implications for Stonebwoy’s image. It’s unclear whether this accusation is related to her broader grievances or represents a separate allegation aimed at further damaging his reputation. However, its inclusion in her public outburst suggests a deliberate attempt to cast doubt on Stonebwoy’s character and actions.
The public nature of this feud, played out on social media and through widely circulated videos, has amplified the controversy and drawn attention to the dynamics within the Ghanaian entertainment industry. It highlights the often volatile nature of celebrity relationships and the potential for public fallout when these relationships fracture. While the long-term consequences of this feud remain to be seen, it has undoubtedly created a significant rift between two formerly close figures and generated considerable discussion and speculation among fans and industry observers. The question remains as to whether this public battle will escalate further or eventually find some form of resolution.
