C Burn, a US-based Ghanaian musician, has voiced his concerns regarding the exclusion of diaspora Ghanaian musicians from the Ghana Music Awards. In an interview with Candymann on Akwaaba Radio 93.9 in Cape Coast, C Burn expressed his disappointment that the contributions of these artists are frequently overlooked, despite their significant role in promoting Ghanaian music globally. He proposed the establishment of specific award categories dedicated to recognizing the achievements of Ghanaian musicians living abroad, thereby acknowledging their efforts and integrating them into the mainstream Ghanaian music scene. This inclusion, he argued, would not only honor their contributions but also foster a stronger sense of unity within the Ghanaian music industry, both locally and internationally.
C Burn, who clinched the Best Hiplife/Hip Hop Song of the Year award at the Ghana Music Awards USA in the previous year, underscored the importance of showcasing Ghanaian culture and musical heritage, particularly highlife, to a wider global audience. He believes that Ghanaian musicians in the diaspora play a crucial role in this endeavor, acting as cultural ambassadors and introducing Ghanaian music to new audiences. His latest album, “Aidoo’s Intelligence 2.0”, comprising 18 tracks, further exemplifies his commitment to this goal, representing a fusion of Ghanaian musical traditions with contemporary influences.
Beyond his advocacy for diaspora inclusion, C Burn also offered valuable advice to aspiring young musicians, emphasizing the importance of balancing their musical pursuits with education. He highlighted the long-term benefits of education, suggesting that it provides a solid foundation for personal and professional growth, regardless of the trajectory of their music careers. He cautioned against solely focusing on music, advocating for a more holistic approach to personal development that incorporates academic pursuits alongside creative passions.
Furthermore, C Burn appealed to the Ghanaian government to prioritize investment in technical education. He stressed the high demand for skilled labor in foreign countries, emphasizing the potential for economic empowerment and opportunities for Ghanaians equipped with technical expertise. By investing in technical education, he argued, the government could empower its citizens to compete in the global job market, fostering economic growth and development within Ghana. This investment, he believed, would not only benefit individuals but also contribute to the overall prosperity of the nation.
C Burn’s call for the inclusion of diaspora musicians in the Ghana Music Awards reflects a broader conversation about representation and recognition within the music industry. It highlights the need for award schemes to evolve and adapt to the increasingly globalized nature of music, acknowledging the contributions of artists from diverse geographical locations. His advocacy underscores the importance of fostering inclusivity and celebrating the achievements of all artists who contribute to the richness and diversity of Ghanaian music, regardless of their place of residence.
In summary, C Burn’s interview touched upon several key themes, ranging from the need for greater recognition of diaspora artists to the importance of education and government investment in technical skills. His perspective provides a valuable insight into the challenges and opportunities facing Ghanaian musicians, both at home and abroad. His call for inclusivity, combined with his advice to young musicians and his advocacy for technical education, paints a picture of an artist deeply committed to the advancement of Ghanaian music and the well-being of his fellow Ghanaians.
