The recent London concert of Ghanaian singer Fameye ended abruptly amidst controversy, sparking a public exchange between the artist and DJ Chos, the London-based disc jockey responsible for the event’s music. Fameye publicly accused DJ Chos of unprofessionalism, citing the DJ’s setlist as the reason for his mid-performance departure. He claimed that the music selection did not align with his planned performance, disrupting the flow and forcing him to abandon the stage. This accusation ignited a swift response from DJ Chos, who refuted Fameye’s claims and offered a contrasting perspective on the incident.

DJ Chos, through his media team, issued a statement acknowledging the disruption and apologizing to the concert attendees. However, the statement firmly countered Fameye’s accusations, placing the blame squarely on the artist’s alleged lack of preparation and limited rehearsal time. DJ Chos detailed the rehearsal process, highlighting Fameye’s minimal involvement. He explained that the singer attended only two brief rehearsals prior to the concert. The first, a mere 12-minute session, took place in DJ Chos’ car after Fameye declined a formal studio rehearsal, citing fatigue. The second rehearsal, held at the concert venue, lasted only 15 minutes. During this brief session, DJ Chos claims a specific playlist was agreed upon and finalized.

Despite the agreed-upon playlist, DJ Chos alleges that Fameye’s team continued to request changes to the setlist up until the last minute, creating confusion and ultimately disrupting the planned performance. This last-minute scramble, according to DJ Chos, made it impossible to maintain the flow and deliver the seamless performance expected by both the artist and the audience. He argued that had Fameye dedicated more time to rehearsals and finalized the playlist in a timely manner, the unfortunate incident could have been avoided.

Further defending his professional reputation, DJ Chos underscored his extensive experience in the music industry, spanning 25 years. He cited successful collaborations with other Ghanaian artists such as Kelvyn Boy, King Paluta, and Kweku Flick, all of whom performed flawlessly during the same London concert. He emphasized that his track record speaks for itself and that he has consistently maintained a high level of professionalism throughout his career. He expressed disappointment at Fameye’s attempt to undermine his expertise and experience based on this single incident.

DJ Chos concluded his statement by urging Fameye and his management team to engage in constructive reflection rather than resorting to blame-shifting. He stressed that identifying and addressing the root cause of the issue, rather than assigning blame, is crucial for preventing similar disruptions in the future. He emphasized the importance of thorough preparation and timely communication between artists and DJs to ensure smooth and successful performances.

This public disagreement between Fameye and DJ Chos sheds light on the behind-the-scenes complexities of live musical performances and the importance of collaboration and communication between artists and their technical teams. While Fameye maintains that the DJ’s unprofessionalism led to his walk-off, DJ Chos contends that the singer’s lack of preparation and last-minute changes were the primary cause of the disruption. Ultimately, the differing accounts leave fans to speculate about the true source of the conflict, highlighting the need for clear communication and professional collaboration in the music industry.

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