Renowned dancehall artist Stonebwoy has recently revealed that he has received an invitation from the National Democratic Congress (NDC) to perform at one of their campaign rallies in anticipation of the December 7, 2024, general elections in Ghana. During an interview on Hitz FM, the award-winning musician clarified that while negotiations are still in progress, his ultimate decision to perform hinges on the financial terms they agree upon. Stonebwoy mentioned that he is considering various offers, highlighting a specific interest from the NDC while also making it clear that he has not yet engaged directly with any representatives from the party.
In his discussion, Stonebwoy underscored the importance of ensuring that the financial arrangement meets his expectations before committing to any performance. He noted, “We’re checking on the money level, and if it goes well, I’ll perform to my fans so I can use some of the money for the Bhim festival.” This statement reflects not only his pragmatic approach to the proposition but also his intention to utilize any earnings from the performance for his own initiatives, such as the Bhim festival, which is a notable event in his career.
Moreover, Stonebwoy expressed a firm commitment to promoting peace and unity throughout the electoral process, which can often be fraught with tension. The artist made it clear that his performances, regardless of the political affiliation of the hosting party, will serve as a platform to advocate for harmony among Ghanaians. He stated, “December is coming, so peaceful elections are all we seek. When you see me on any platform, I’m performing for peace—whether NPP, NDC, CPP—it’s for peace because we are all one Ghana.”
By emphasizing his dedication to peaceful coexistence during this politically charged period, Stonebwoy is positioning himself as an influencer committed to the greater good of the nation. His intention to focus on messages of unity resonates with the current socio-political climate, where divisive rhetoric can easily overshadow constructive dialogue. Stonebwoy’s artistic choice to prioritize peace sends a powerful message that transcends party lines, reinforcing the idea that, ultimately, the well-being of the nation is paramount.
In addition to his commitment to peace, Stonebwoy’s approach signals his understanding of the role that prominent figures in entertainment can play during significant national events, such as elections. His willingness to engage with various political entities while maintaining his artistic integrity illustrates a balance between professional opportunities and personal values. By strategically navigating these waters, he not only aims to solidify his influence but also to project a vision for a united Ghana, irrespective of political differences.
Ultimately, as the elections draw nearer, Stonebwoy’s involvement with the NDC or any other party will be contingent on negotiations that reflect both his artistic worth and the overarching aim of promoting peace. His journey underscores the powerful intersection of politics and culture and highlights the significant role that artists can play in shaping public discourse and fostering a spirit of unity. With his anticipated performance and advocacy for a peaceful electoral process, Stonebwoy emerges as a key player in not just the entertainment industry but in the broader narrative of national unity leading up to the general elections.
