The recent Ghana Music Awards USA (TGMA) saw King Promise crowned Artiste of the Year 2025, a prestigious accolade that sparked a wave of congratulatory messages from fans and fellow artists alike. Among these well-wishers was Stonebwoy, a prominent figure in the Ghanaian music scene. However, King Promise’s apparent lack of public acknowledgment of Stonebwoy’s message has stirred up discussion and speculation, prompting the Artiste of the Year to address the situation.
King Promise explained that his delayed response wasn’t a deliberate snub, but rather a consequence of the overwhelming influx of congratulatory messages he received following his win. He emphasized that he had indeed seen Stonebwoy’s message but hadn’t yet had the opportunity to respond individually to every well-wisher. He downplayed the significance of the delayed response, stating that he saw no need to single out Stonebwoy’s message for specific public acknowledgment when he has received so many other messages of support. Essentially, he views responding to each message individually as an unnecessary formality, preferring to acknowledge the collective outpouring of support he has received.
This explanation sheds light on King Promise’s perspective, portraying him as an artist focused on the bigger picture of his recent achievement rather than getting bogged down in the minutiae of individual social media interactions. His statement suggests a desire to avoid creating undue emphasis on any single congratulatory message, choosing instead to appreciate the collective support from his fans and peers. He also clarified that he hadn’t been online immediately after the awards ceremony and therefore hadn’t seen Stonebwoy’s message until later. Upon going online, he prioritized responding to other messages he saw, further explaining the delay in acknowledging Stonebwoy’s congratulations.
Interestingly, this isn’t the first time these two artists have found themselves in a similar situation. The previous year, the roles were reversed, with King Promise extending congratulations to Stonebwoy for an award win, which seemingly went unanswered. This history adds another layer to the current situation, raising questions about the nature of their interaction and whether there’s an underlying dynamic at play. While some might interpret the repeated pattern as a sign of tension or indifference between the two artists, it could equally be a coincidence or simply a reflection of their individual approaches to social media engagement.
In the larger context of the Ghanaian music industry, this incident highlights the scrutiny artists face regarding their public interactions, particularly in the age of social media. Every action, or lack thereof, can be interpreted and amplified, leading to speculation and potentially creating narratives that may not reflect the reality of the situation. While fans and the media are naturally curious about the relationships between artists, it’s important to remember that these are individuals with their own ways of communicating and managing their online presence.
Ultimately, King Promise’s explanation offers a plausible reason for his delayed response to Stonebwoy’s congratulatory message. Whether or not there are underlying dynamics between the two artists remains speculation, but the incident underscores the often-overanalyzed nature of online interactions in the entertainment industry. What might seem like a significant snub could simply be a matter of managing a deluge of messages and prioritizing broader acknowledgements of support. As fans and observers, it’s important to consider these nuances before drawing conclusions about the relationships between artists based solely on their social media activity.
