Renowned Ghanaian broadcaster Tommy Annan-Forson has voiced poignant critiques concerning the current landscape of modern music, characterizing it as “blabber music” devoid of depth and meaningful storytelling. In an engaging dialogue with fellow broadcaster Kwesi Kyei Darkwah on CTV, Annan-Forson expressed his disillusionment with contemporary music, revealing that he finds little appeal in it due to a perceived lack of substance. He noted, “I virtually don’t listen to our [modern] music because there’s nothing to understand. It’s just blabber music. There’s no storyline,” highlighting his belief that the essence of music lies in its ability to tell a story that resonates with listeners.
Annan-Forson also took issue with the increasing prevalence of explicit content in songs played on the radio, which he indicated would have been unthinkable during his earlier years in broadcasting. He emphasized that this trend reflects a troubling decline in standards within the industry, undermining the quality of music being produced and consumed. The veteran broadcaster dismissed the commonly cited defense that “bad news sells, bad music sells” as an unacceptable justification for these trends, asserting that it speaks volumes about the erosion of cultural values and expectations surrounding music.
At the heart of Annan-Forson’s critique is a desire to restore storytelling as a fundamental element of music. He provided country music as a prime example, illustrating how carefully crafted lyrics can forge a powerful connection between the artist and the listener. “When I play a particular Country song that makes my heart beat, or skip a beat, I know that the listener will like this. It has a good storyline—it affects you and me,” he articulated, showcasing his appreciation for music that evokes genuine emotions and invites deeper reflection from its audience.
With over 47 years of experience in the media industry, Tommy Annan-Forson has not only set high standards in broadcasting but has also played a significant role in mentoring aspiring broadcasters through initiatives like the RABODEF Radio Academy. His extensive career has endowed him with a wealth of knowledge and insight into the music and media sectors, providing him with a unique perspective on the evolving landscape and the challenges it faces. Through his mentorship and advocacy, he aims to inspire a new generation of content creators to prioritize meaningful and quality storytelling in their work.
As Annan-Forson continues to champion the cause of quality in music and media, he stands as a reminder of the foundational principles on which the industry was built. His insights resonate not only with seasoned professionals who share his concerns but also with audiences yearning for depth and authenticity in the art they consume. The decline of storytelling and the rise of superficial content reflect broader cultural shifts, prompting discussions about the role of artists and broadcasters in fostering a richer musical experience.
In summary, Tommy Annan-Forson’s critique of modern music reveals a profound longing for a return to the core values of storytelling and emotional engagement in songwriting. By advocating for higher standards and offering mentorship to new talent, he underscores the importance of fostering quality in the music industry and preserving its legacy. His message encourages both listeners and creators to seek out music that resonates on a deeper level, rekindling the connection that initially drew them to the art form. As the conversation around music’s role in society continues to evolve, Annan-Forson remains a pivotal voice, urging for a renaissance of meaningful storytelling in the creative landscape.
