Nigerian musician Portable has recently stirred controversy by accusing fellow artists Wizkid and Davido of leveraging beef between them to stay relevant in the highly competitive music industry. According to Portable, both musical icons are struggling to keep their music marketable and have resorted to public feuds as a promotional tactic. In a candid Instagram post, he expressed his disapproval of their behavior, urging them to refrain from undermining each other for the sake of self-promotion. By encouraging artists to rely on their talent rather than conflict, Portable emphasized a desire for unity within the music community.
Portable’s observations come during a period when tensions flared between Wizkid and Davido, with sharps words exchanged on social media platforms. Recently, Wizkid took aim at Davido following an announcement about new music, labeling him as “wack” and “talentless.” This exchange highlights the increasingly cutthroat nature of the music industry, where public persona and social media engagement often determine an artist’s success. Despite the drama, Portable asserts that he remains uninvolved in this feud, carefully positioning himself as an independent artist with his own brand of success and a distinct identity.
In his Instagram narrative, Portable reiterated that he is not aligned with either Wizkid or Davido, asserting his determination to forge his own path in the music industry. He called on both artists to stop using personal conflicts as a promotional strategy, a sentiment reflecting his personal ethos of self-reliance and authenticity. The ‘Zazu’ crooner also claimed that his achievements in music surpass those of his more established contemporaries, asserting, “Portable is bigger than them.” Through this statement, he aimed to elevate his own status while encouraging both Wizkid and Davido to focus on their craft instead of engaging in public disputes.
The ongoing rivalry between Wizkid and Davido has captivated the attention of fans and observers, leading to a significant degree of buzz and media coverage. However, Portable’s comments shed light on the underlying pressure many artists face to maintain public interest in their work. By suggesting that their music is “no longer marketable,” he points to a challenging reality: as trends evolve, even the most popular artists must continually adapt their strategies to connect with audiences. This pressure can sometimes lead to desperate measures, such as engaging in feuds or drama that distract from the actual music.
Portable’s emphasis on individual success serves as a reminder that while collaboration and camaraderie are essential in the creative process, competition within the industry can thwart authentic connections between artists. His call for Wizkid and Davido to stop feeding the narrative of rivalry suggests a yearning for a more supportive and unified approach among musicians. By advocating for artists to promote themselves based on their talent rather than controversies, Portable seeks to challenge the prevailing notion that beef or rivalry is synonymous with success in the music industry.
In conclusion, Portable’s criticism of Wizkid and Davido resonates with a broader conversation about the dynamics of self-promotion in the music realm. As social media continues to shape the landscape of the entertainment industry, the allure of beef and public drama often detracts from the artistry itself. Portable’s perspective aligns with a growing desire among artists to prioritize genuine creativity and collaboration over manufactured conflicts. By standing firm in his conviction to shine individually, Portable not only highlights his own aspirations but also urges his colleagues to reclaim their artistic integrity, fostering a healthier environment in which all artists can thrive.
