The simmering rivalry between Ghanaian dancehall artists Stonebwoy and Shatta Wale reignited recently, sparked by a controversial cash giveaway incident. In a candid interview on Angel FM in Kumasi, Stonebwoy, the Bhim Nation president, unleashed a torrent of criticism directed at his long-time adversary, labeling him a “trickster” and a “man with a big mouth.” The crux of the issue stemmed from Shatta Wale’s alleged orchestration of a GH¢5,000 cash giveaway involving MC Portfolio during an appearance on Fakye TV. Stonebwoy, clearly incensed, characterized the act as a calculated stunt, implying that Wale’s flamboyant display of cash was a deceptive facade masking his true financial standing.
Stonebwoy meticulously deconstructed the incident, suggesting that Wale deliberately used the GH¢5,000, primarily in five cedi denominations, to create an illusion of wealth and intimidate MC Portfolio. He insinuated that Wale keeps a stash of low-denomination bills, furthering his assertion that the giveaway was a carefully crafted performance rather than genuine generosity. The Bhim Nation boss contrasted Wale’s actions with his own, emphasizing his own financial capability and highlighting his history of offering support without fanfare. He questioned the significance of GH¢5,000, asserting that he possesses significantly more and has consistently provided assistance without needing to publicize it.
Beyond the specific incident, Stonebwoy’s interview broadened into a commentary on his public persona and his approach to handling controversies. He directly addressed the perception that his relative silence in the face of disputes might be interpreted as fear or weakness. Challenging this assumption, he rhetorically questioned whether people genuinely believed he was afraid to speak out. He implied that his restraint stems not from timidity but from a conscious decision to prioritize maturity and avoid engaging in unproductive public feuds. This explanation served as a justification for his often measured responses to provocations, suggesting a deliberate strategy of rising above petty squabbles.
Stonebwoy’s choice of words—”trickster,” “settings man,” “big mouth”—clearly indicates the depth of his disdain for Shatta Wale. These terms paint a picture of an individual perceived as manipulative, deceptive, and prone to grandiose pronouncements. By emphasizing the small denomination of the giveaway money, Stonebwoy sought to undermine Wale’s perceived wealth and portray him as someone attempting to project an image of affluence that doesn’t align with reality. His repeated references to Wale’s “tricks” and “settings” suggest a pattern of calculated maneuvers designed to create a specific narrative or achieve a desired effect.
The interview provides a glimpse into the complex and often volatile relationship between two of Ghana’s biggest dancehall stars. Their rivalry has been a constant feature of the Ghanaian music scene, marked by periods of intense animosity interspersed with occasional truces. This latest episode suggests that the underlying tensions remain, fueled by a combination of professional competition and personal animosity. Stonebwoy’s willingness to publicly criticize Wale in such strong terms indicates a deep-seated frustration and a refusal to let perceived slights go unanswered.
Stonebwoy’s comments also offer insights into his own approach to public image and conflict resolution. By positioning himself as someone who chooses measured responses over impulsive reactions, he attempts to cultivate an image of maturity and wisdom. His emphasis on quiet generosity and behind-the-scenes support contrasts sharply with Wale’s more flamboyant style. Whether this is a genuine reflection of his character or a calculated PR move remains open to interpretation, but it undoubtedly contributes to the ongoing narrative of their contrasting personalities and approaches to their careers. The interview serves as a reminder of the complex dynamics at play within the Ghanaian music industry, where personal rivalries, public perception, and artistic competition often intertwine to create compelling, and sometimes explosive, narratives.
